From Slate Magazine's article "Rot in Peace," a photo journalism piece on the urban decay and the death of capitalism in the inner cities across the USA.
Letting man-made structures decay to the point of disappearance is not an idea with a lot of popular or professional support, at least in America. In the mid-1990s, however, sociologist and photographer Camilo José Vergara proposed a "ruins park" for the mostly empty urban core of Detroit. In his "American Acropolis," the vacant buildings would become habitat for peregrine falcons and intrepid plants. The prairie would reseed the city streets. People would gather to witness a "memorial to a disappearing urban civilization." Detroit citizens did not welcome the proposal. It mattered little to them that Vergara found redemption and beauty, as well as regret, in their husk of a city.
In this slide, Vergara's photo of the derelict reading room of the Camden Free Library in New Jersey, a thicket of saplings reaches toward a tattered ceiling's filtered light. Historian Elizabeth Blackmar detects in Vergara's photos an "aesthetic pause," which leads us to wonder how we could have avoided the wasting away of these 20th-century landmarks—and to reflect on what we are to learn from their demise.
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